Roundtables: The Future of Birth Control

Conversations around birth control usually focus on women, but Kevin Eisenfrats, one of the MIT Technology Review 2025 Innovators Under 35, is working to change that. His company, Contraline, is working toward testing new birth control options for men.

Speakers: Kevin Eisenfrats, co-founder and CEO of Contraline, and Amy Nordrum, executive editor, MIT Technology Review

Recorded on September 24, 2025

Related Coverage:

Roundtables: Meet the 2025 Innovator of the Year

Every year, MIT Technology Review selects one individual whose work we admire to recognize as Innovator of the Year. For 2025, we chose Sneha Goenka, who designed the computations behind the world’s fastest whole-genome sequencing method. Thanks to her work, physicians can now sequence a patient’s genome and diagnose a genetic condition in less than eight hours—an achievement that could transform medical care.

Speakers: Sneha Goenka, Innovator of the Year; Leilani BattleUniversity of Washington; and Mat Honaneditor in chief

Recorded on September 23, 2025

Related Coverage:

Roundtables: Why It’s So Hard to Make Welfare AI Fair

Amsterdam tried using algorithms to fairly assess welfare applicants, but bias still crept in. Why did Amsterdam fail? And more important, can this ever be done right? Hear from MIT Technology Review editor Amanda Silverman, investigative reporter Eileen Guo, and Lighthouse Reports investigative reporter Gabriel Geiger as they explore if algorithms can ever be fair.

Speakers: Eileen Guo, features & investigations reporter, Amanda Silverman, features & investigations editor, and Gabriel Geiger investigative reporter at Lighthouse Reports

Recorded on July 30, 2025

Related Coverage:

Roundtables: Inside OpenAI’s Empire with Karen Hao

Recorded on June 30, 2025

AI journalist Karen Hao’s book, Empire of AI: Dreams and Nightmares in Sam Altman’s OpenAI, tells the story of OpenAI’s rise to power and its far-reaching impact all over the world. Hear from Karen Hao, former MIT Technology Review senior editor, and executive editor Niall Firth for a conversation exploring the AI arms race, what it means for all of us, and where it’s headed.

Speakers: Karen Hao, AI journalist, and Niall Firth, executive editor.

Related Coverage:

Roundtables: A New Look at AI’s Energy Use

Wednesday, May 21, 2025

Big Tech’s appetite for energy is growing rapidly as adoption of AI accelerates. But just how much energy does even a single AI query use? And what does it mean for the climate? Join editor in chief Mat Honan, senior climate reporter Casey Crownhart, and AI reporter James O’Donnell for a conversation exploring AI’s energy demands now and in the future.

Going live on May 21st at 18:30 GMT / 1:30 PM ET / 10:30 AM PT

Related Content:

Speakers

Mat Honan
Editor in Chief
Casey Crownhart
Climate Reporter
James O'Donnell, AI reporter
James O’Donnell
AI Reporter
3 Things Caiwei Chen is into right now

A new play about OpenAI

I recently saw Doomers, a new play by Matthew Gasda about the aborted 2023 coup at OpenAI, here represented by a fictional company called MindMesh. The action is set almost entirely in a meeting room; the first act follows executives immediately after the firing of company CEO Seth (a stand-in for Sam Altman), and the second re-creates the board negotiations that determined his fate. It’s a solid attempt to capture the zeitgeist of Silicon Valley’s AI frenzy and the world’s moral panic over artificial intelligence, but the rapid-fire, high-stakes exchanges mean it sometimes seems to get lost in its own verbosity.

Themed dinner parties and culinary experiments

The vastness of Chinese cuisine defies easy categorization, and even in a city with no shortage of options, I often find myself cookingnot just to recapture something closer to home, but to create a home unlike one that ever existed. Recently, I’ve been experimenting with a Chinese take on the charcuterie boardpairing toasted steamed buns, called mantou, with furu, a fermented tofu spread that is sharp, pungent, and full of umami.

Sewing and copying my own clothes

I started sewing three years ago, but only in the past year have I begun making clothes from scratch. As a lover of vintage fashionespecially ’80s silhouettesI started out with old patterns I found on Etsy. But recently, I tried something new: copying a beloved dress I bought in a thrift store in Beijing years ago. Doing this is quite literally a process of reverse-engineering—­pinning the garment down, tracing its seams, deconstructing its logic, and rebuilding it. At times my brain feels like an old Mac hitting its CPU limit. But when it works, it feels like a small act of magic. It’s an exercise in certainty, the very thing that drew me to fashion in the first placea chance to inhabit something that feels like an extension of myself.

Roundtables: Brain-Computer Interfaces: From Promise to Product

Recorded on April 23, 2025

Brain-Computer Interfaces: From Promise to Product

Speakers: David Rotman, editor at large, and Antonio Regalado, senior editor for biomedicine.

Brain-computer interfaces (BCIs) have been crowned the 11th Breakthrough Technology of 2025 by MIT Technology Review‘s readers. BCIs are electrodes implanted into the brain to send neural commands to computers, primarily to assist paralyzed people. Hear from MIT Technology Review editor at large David Rotman and senior editor for biomedicine Antonio Regalado as they explore the past, present, and future of BCIs.

Related Coverage

The quest to build islands with ocean currents in the Maldives

In satellite images, the 20-odd coral atolls of the Maldives look something like skeletal remains or chalk lines at a crime scene. But these landforms, which circle the peaks of a mountain range that has vanished under the Indian Ocean, are far from inert. They’re the products of living processes—places where coral has grown toward the surface over hundreds of thousands of years. Shifting ocean currents have gradually pushed sand—made from broken-up bits of this same coral—into more than 1,000 other islands that poke above the surface. 

But these currents can also be remarkably transient, constructing new sandbanks or washing them away in a matter of weeks. In the coming decades, the daily lives of the half-million people who live on this archipelago—the world’s lowest-lying nation—will depend on finding ways to keep a solid foothold amid these shifting sands. More than 90% of the islands have experienced severe erosion, and climate change could make much of the country uninhabitable by the middle of the century.

Off one atoll, just south of the Maldives’ capital, Malé, researchers are testing one way to capture sand in strategic locations—to grow islands, rebuild beaches, and protect coastal communities from sea-level rise. Swim 10 minutes out into the En’boodhoofinolhu Lagoon and you’ll find the Ramp Ring, an unusual structure made up of six tough-skinned geotextile bladders. These submerged bags, part of a recent effort called the Growing Islands project, form a pair of parentheses separated by 90 meters (around 300 feet).

The bags, each about two meters tall, were deployed in December 2024, and by February, underwater images showed that sand had climbed about a meter and a half up the surface of each one, demonstrating how passive structures can quickly replenish beaches and, in time, build a solid foundation for new land. “There’s just a ton of sand in there. It’s really looking good,” says Skylar Tibbits, an architect and founder of the MIT Self-Assembly Lab, which is developing the project in partnership with the Malé-based climate tech company Invena.

The Self-Assembly Lab designs material technologies that can be programmed to transform or “self-assemble” in the air or underwater, exploiting natural forces like gravity, wind, waves, and sunlight. Its creations include sheets of wood fiber that form into three-dimensional structures when splashed with water, which the researchers hope could be used for tool-free flat-pack furniture. 

Growing Islands is their largest-scale undertaking yet. Since 2017, the project has deployed 10 experiments in the Maldives, testing different materials, locations, and strategies, including inflatable structures and mesh nets. The Ramp Ring is many times larger than previous deployments and aims to overcome their biggest limitation. 

In the Maldives, the direction of the currents changes with the seasons. Past experiments have been able to capture only one seasonal flow, meaning they lie dormant for months of the year. By contrast, the Ramp Ring is “omnidirectional,” capturing sand year-round. “It’s basically a big ring, a big loop, and no matter which monsoon season and which wave direction, it accumulates sand in the same area,” Tibbits says.

The approach points to a more sustainable way to protect the archipelago, whose growing population is supported by an economy that caters to 2 million annual tourists drawn by its white beaches and teeming coral reefs. Most of the country’s 187 inhabited islands have already had some form of human intervention to reclaim land or defend against erosion, such as concrete blocks, jetties, and breakwaters. Since the 1990s, dredging has become by far the most significant strategy. Boats equipped with high-power pumping systems vacuum up sand from one part of the seabed and spray it into a pile somewhere else. This temporary process allows resort developers and densely populated islands like Malé to quickly replenish beaches and build limitlessly customizable islands. But it also leaves behind dead zones where sand has been extracted—and plumes of sediment that cloud the water with a sort of choking marine smog. Last year, the government placed a temporary ban on dredging to prevent damage to reef ecosystems, which were already struggling amid spiking ocean temperatures.

Holly East, a geographer at the University of Northumbria, says Growing Islands’ structures offer an exciting alternative to dredging. But East, who is not involved in the project, warns that they must be sited carefully to avoid interrupting sand flows that already build up islands’ coastlines. 

To do this, Tibbits and Invena cofounder Sarah Dole are conducting long-term satellite analysis of the En’boodhoofinolhu Lagoon to understand how sediment flows move around atolls. On the basis of this work, the team is currently spinning out a predictive coastal intelligence platform called Littoral. The aim is for it to be “a global health monitoring system for sediment transport,” Dole says. It’s meant not only to show where beaches are losing sand but to “tell us where erosion is going to happen,” allowing government agencies and developers to know where new structures like Ramp Rings can best be placed.

Growing Islands has been supported by the National Geographic Society, MIT, the Sri Lankan engineering group Sanken, and tourist resort developers. In 2023, it got a big bump from the US Agency for International Development: a $250,000 grant that funded the construction of the Ramp Ring deployment and would have provided opportunities to scale up the approach. But the termination of nearly all USAID contracts following the inauguration of President Trump means the project is looking for new partners.

Matthew Ponsford is a freelance reporter based in London.

AI is pushing the limits of the physical world

Architecture often assumes a binary between built projects and theoretical ones. What physics allows in actual buildings, after all, is vastly different from what architects can imagine and design (often referred to as “paper architecture”). That imagination has long been supported and enabled by design technology, but the latest advancements in artificial intelligence have prompted a surge in the theoretical. 

ai-generated shapes
Karl Daubmann, College of Architecture and Design at Lawrence Technological University
“Very often the new synthetic image that comes from a tool like Midjourney or Stable Diffusion feels new,” says Daubmann, “infused by each of the multiple tools but rarely completely derived from them.”

“Transductions: Artificial Intelligence in Architectural Experimentation,” a recent exhibition at the Pratt Institute in Brooklyn, brought together works from over 30 practitioners exploring the experimental, generative, and collaborative potential of artificial intelligence to open up new areas of architectural inquiry—something they’ve been working on for a decade or more, since long before AI became mainstream. Architects and exhibition co-­curators Jason Vigneri-Beane, Olivia Vien, Stephen Slaughter, and Hart Marlow explain that the works in “Transductions” emerged out of feedback loops among architectural discourses, techniques, formats, and media that range from imagery, text, and animation to mixed-­reality media and fabrication. The aim isn’t to present projects that are going to break ground anytime soon; architects already know how to build things with the tools they have. Instead, the show attempts to capture this very early stage in architecture’s exploratory engagement with AI.

Technology has long enabled architecture to push the limits of form and function. As early as 1963, Sketchpad, one of the first architectural software programs, allowed architects and designers to move and change objects on screen. Rapidly, traditional hand drawing gave way to an ever-expanding suite of programs—­Revit, SketchUp, and BIM, among many others—that helped create floor plans and sections, track buildings’ energy usage, enhance sustainable construction, and aid in following building codes, to name just a few uses. 

The architects exhibiting in “Trans­ductions” view newly evolving forms of AI “like a new tool rather than a profession-­ending development,” says Vigneri-Beane, despite what some of his peers fear about the technology. He adds, “I do appreciate that it’s a somewhat unnerving thing for people, [but] I feel a familiarity with the rhetoric.”

After all, he says, AI doesn’t just do the job. “To get something interesting and worth saving in AI, an enormous amount of time is required,” he says. “My architectural vocabulary has gotten much more precise and my visual sense has gotten an incredible workout, exercising all these muscles which have atrophied a little bit.”

Vien agrees: “I think these are extremely powerful tools for an architect and designer. Do I think it’s the entire future of architecture? No, but I think it’s a tool and a medium that can expand the long history of mediums and media that architects can use not just to represent their work but as a generator of ideas.”

Andrew Kudless, Hines College of Architecture and Design
This image, part of the Urban Resolution series, shows how the Stable Diffusion AI model “is unable to focus on constructing a realistic image and instead duplicates features that are prominent in the local latent space,” Kudless says.

Jason Vigneri-Beane, Pratt Institute
“These images are from a larger series on cyborg ecologies that have to do with co-creating with machines to imagine [other] machines,” says Vigneri-Beane. “I might refer to these as cryptomegafauna—infrastructural robots operating at an architectural scale.”

Martin Summers, University of Kentucky College of Design
“Most AI is racing to emulate reality,” says Summers. “I prefer to revel in the hallucinations and misinterpretations like glitches and the sublogic they reveal present in a mediated reality.”
Jason Lee, Pratt Institute
Lee typically uses AI “to generate iterations or high-resolution sketches,” he says. “I am also using it to experiment with how much realism one can incorporate with more abstract representation methods.”

Olivia Vien, Pratt Institute
For the series Imprinting Grounds, Vien created images digitally and fed them into Midjourney. “It riffs on the ideas of damask textile patterns in a more digital realm,” she says.

Robert Lee Brackett III, Pratt Institute
“While new software raises concerns about the absence of traditional tools like hand drawing and modeling, I view these technologies as collaborators rather than replacements,” Brackett says.